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Quincy Jones awarded $9.42 million in music royalties dispute with Michael Jackson estate

By / Published on Saturday, 29 Jul 2017 11:06 AM / No Comments / 26 views

Quincy Jones has been awarded almost $ 10 Million in music royalties dispute with Michael Jackson’s estate.

A Los Angeles jury awarded the veteran music producer $ 9,423,69 in damages, finding that he had been underpaid in royalties for music used in the This Is It documentary and two Cirque du Soleil shows.

The verdict is not the full $ 30 million that he sought when he first sued in 2013.

He alleged a breach of contract, saying that he was unfairly cut out of posthumous deals by Jackson’s estate to feature his music in the 2009 film and the Cirque shows, reports Variety.

“Although this judgement is not the full amount that I was seeking, I am very grateful that the jury decided in our favour in this matter,” he said in a statement. “I view it not only as a victory for myself personally, but for artists’ rights overall.”

'Beat It' video producer Antony Payne, Michael and Quincy Jones on the set in 1983
‘Beat It’ video producer Antony Payne, Michael and Quincy Jones on the set in 1983

He added: “This lawsuit was never about Michael, it was about protecting the integrity of the work we all did in the recording studio and the legacy of what we created.”

Howard Weitzman, an attorney for the Jackson estate, called the verdict disappointing and unanticipated. “With jury trials, that’s what happens, you get surprised,” Weitzman said.

In a fuller statement, Jackson estate attorneys Weitzman and Zia Modabber said: “While the jury denied Quincy Jones $ 21 million – or more than two-thirds of what he demanded – from the estate of Michael Jackson, we still believe that giving him millions of dollars that he has no right to receive under his contracts is wrong.”

Musician Quincy Jones attends the 28th Annual Rock and Roll Hall of Fame Induction Ceremony at Nokia Theatre L.A. Live on April 18, 2013 in Los Angeles, California
Jones pictured in 2013 at the 28th Annual Rock and Roll Hall of Fame

They added: “Any amount above and beyond what is called for in his contracts is too much and unfair to Michael’s heirs. Although Mr. Jones is portraying this is a victory for artists’ rights, the real artist is Michael Jackson and it is his money Mr. Jones is seeking.”

Jury foreman, Duy Ngyen, said after the verdict that deliberations were pretty smooth, despite the complex contract language. “Words are fuzzy,” he said.

During the two-week trial, attorneys for both sides quibbled over how to interpret contract language that governed how Jones’ royalties were calculated.

Quincy Jones at the De Grisogono Party hosted by Fawaz Gruosi in Cannes in 2007

The producer took the witness stand last week – entering the courtroom in a wheelchair – to explain his views on how he was “cheated out of a lot of money” by the Jackson estate.

At issue was the interpretation of two contracts for the albums Off the Wall, Thriller, and Bad.

His lawyers contended that his contracts entitle him to significant proceeds from “This Is It,” the backstage concert film released after Jackson’s death, as well as those from two Cirque du Soleil shows.

Quincy Jones on stage during the 46664 Concert honouring Nelson Mandela's at 90th birthday in Hyde Park, central London
The producer took the witness stand last week – entering the courtroom in a wheelchair – to explain his views on how he was “cheated out of a lot of money” by the Jackson estate

On the question of whether the Cirque shows or This Is It were considered “records,” the jury said no. As to what comprises a “video show” – This Is It is applicable, but not the Cirque performances.

Representing the Jackson estate, Weitzman argued that Jackson himself made major contributions to the sound of each song, which rankled Jones, who testified that producers often take the blame for failures while artists get credit for hits.

Thanks to: mirror – US gossip

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